26
COURTESY - WHEN GIVING
ADVICE, REMEMBER WHAT YOU MAY SAY MAY CHANGE THE PERSON
FOREVER.
27 CREATIVITY -
DON’T GET HUNG UP IN
TECHNOLOGY BUT IN CREATIVITY.
28 FILM -
CARRY LOTS OF EXTRA FILM--
MORE THAN YOU NEED. CARRY SOME 800 OR 1600 JUST IN CASE!
TAKE THEM OUT OF THE PAPER CARTON.
29 FILM -
NEVER LET IT GO THROUGH THE
X-RAY, REGARDLESS OF WHAT THEY SAY IS SAFE, KEEP IN CLEAR
ZIP-LOCK BAGS. ASK NICELY FOR A HAND INSPECTION. IF NO, GO
TO ANOTHER INSPECTOR.
30 FILM -
STORE FILM IN COOL DRY PLACE
OR CARRY A COOLER WITH THOSE FREEZER CANISTERS WHEN
SHOOTING IN HOT WEATHER. HEAT DESTROYS IMAGES.
31 FILM -
TRUNK CAN GET VERY HOT FOR
CAMERAS AND FILM
32 FILM -
TENDENCIES FOR COLOR FOLLOW
COLOR OF BOX - FIJI -GREEN, KODACHROME - RED, EKTACHROME -
BLUE
33 FILTERS -
ARE GREAT TOOLS, ESPECIALLY
FOR BLACK AND WHITE. ALSO, USE A FILTER WHEN SHOOTING IN
B/W SO THAT YOU CAN "SEE" YOUR IMAGES IN MONOCHROME THROUGH
THE VIEWFINDER.
34 FILTERS -
USE FILTERS, VASELINE (ONLY
ON FILTERS) FOR SPECIAL EFFECTS, TRY OTHER MATERIALS TO
SHOOT THROUGH.
35 FLASH -
LEARN TO USE FILL FLASH
OUTDOORS, ESPECIALLY WITH PEOPLE TO FILL IN THE EYE SOCKETS
AND GIVE A CATCH LIGHT IN THE EYES. WHEN IN DOUBT USE
FLASH.
36 FOCUS -
FOCUS ON THE EYES, IF AT
ANGLE, THE EYE CLOSER TO YOU.
37 FOCUS -
FOCUS QUICKLY WITH CONFIDENCE
- PRACTICE.
38 FOG -
BREATHE ON YOUR LENSES, SHOOT
BEFORE IT EVAPORATES, FOR A FOG EFFECT.
39 GOOD PHOTOGRAPH
- USE THE LIGHT YOU
HAVE, EFFECTIVELY.
40 GOOD PHOTOGRAPH
- ASK - "IS THIS A
PHOTO THAT ANYONE EASILY DUPLICATE?"
41 GOOD PHOTOGRAPH
- BE CAREFUL ACCEPTING
"CLUBS" AS THE FINAL JUDGE = MEDIOCRITY. ASK WHY THEY SAID
THIS OR THAT. PUSH THE ENVELOPE!
42 GOOD PHOTOGRAPH
- GET ADVICE FROM ONLY
COMPETENT AND QUALIFIED INDIVIDUALS.
43 GOOD PHOTOGRAPH
- DEFINITION -
DIFFERENT FROM A "PICTURE" AND WORTH KEEPING AND LOOKING AT
IT OVER AND OVER - HAS IMPACT!
44 GOOD PHOTOGRAPH
- DON’T EXPLAIN YOUR
PHOTOGRAPHS, IF YOU NEED TO, YOU FAILED, YOU DID NOT DO THE
JOB.
45 GOOD PHOTOGRAPH
- DON'T BE OFFENDED
WHEN SOMEONE SAYS "ITS GOOD, ITS LIKE A PAINTING'' (IT’S A
COMPLEMENT).
46 GOOD PHOTOGRAPH
- FLIP A PHOTO, LEFT
TO RIGHT, AND SEE IF IS MAKES A DIFFERENCE.
47 GOOD PHOTOGRAPH
- GO OUT IN BAD
WEATHER, GREAT PHOTOGRAPHERS DO. FOG , RAIN, SNOW, BLIZZARD
CREATE GREAT IMAGES. LEARN HOW TO PROTECT YOUR EQUIPMENT.
48 GOOD PHOTOGRAPH
- GREAT LOCATION? - GO
BACK AT DIFFERENT TIMES OF DAY OR NIGHT.
49 GOOD PHOTOGRAPH
- TRY TO COME BACK
WITH ONE GOOD IMAGE FROM EVERY SHOOTING EFFORT. IF YOU HAVE
23 GREAT IMAGES ON A ROLL OF 24, YOUR THRESHOLD IS TOO LOW!
50 GOOD PHOTOGRAPH
- GREAT
SUBJECT/OPPORTUNITY? - SHOOT AN ENTIRE ROLL, OR EVEN MORE,
IF NECESSARY.